The Irishman sees Martin Scorsese, our greatest living filmmaker — the Ramses II of cinema — nesting below his pyramid, snug in his bed of mob … I've thought about this movie a lot. The Irishman represents a new kind of tech-enabled Kabuki theater. The Irishman‘s most glaring flaw — the one that anyone who’s cringed during the trailers might be able to see coming — is its digital de-aging, which tries to cheat time but just ends up dragging this drama down into the uncanny valley where stately prestige pics don’t belong. Poor character development and cohesive story. My review: The Irishman is part of a dead genre that no one cares about anymore. But this is not good. I shut it off. Very Bland very. Martin Scorsese did a marvelous job selling this to Netflix, because no one else would play it. The worst movie from Scorsese. I can't believe people are really watching the whole thing, they must be fast-forwarding through parts of it and not telling anyone. Welcome to the uncanny valley. Actors aren’t Benjamin Button: they can’t age in reverse, and maybe it’s vanity to think you can convince us otherwise in the context of a drama with an ostensibly human focus. No way to give spoilers for this movie... Just Another gangster film that takes place over decades the CGI is very bad and almost laughable because you can hear the really ancient actors voicing over themselves as young? In the end, just a DEPRESSING excersize in Mafia bleakness; you don't care about ANY. Scorsese is in a moviemaking league of his own, so you can’t really judge his filmography except in relation to itself. Has extremely no porpuse and may be one of the most overrated movies on this decade only because of it's cast. The greatest waste of movie budget in the history of movies. Really a movie for critics. In ancient Egypt, pharaohs would be entombed with everything they needed for the next life: all their treasures and their mummified cats and even their living servants. In this edition: The Irishman is a regression on multiple fronts for director Martin Scorsese.). There are no women, no blacks, no other ethnicities. Make it stop. The Unpopular Opinion: Okay, Let’s Hear from Someone Who Doesn’t Like ‘The Irishman’, Robert De Niro, Mike Myers, Timothy Olyphant, Michael Shannon, Chris Rock, Anya Taylor-Joy, More Join David O. Russell’s Mystery Film, Martin Scorsese’s ‘Killers of the Flower Moon’ Production Gears Up For Seven-Month Shoot, The Quarantine Stream: ‘Pretend It’s a City’ Features Many Scenes of Martin Scorsese Laughing Uncontrollably, Which is What You Need Right Now, ‘Pretend It’s A City’ Trailer: Martin Scorsese Presents a Surprise Documentary Featuring Writer Fran Lebowitz. But when you try to make it a part of today, it folds like a cheap chair. Nothing new in the typical mob story here. He’s a mob hitman who gets a phone call from Jimmy Hoffa, inviting him to be “a part of history” based on his house-painting reputation (“paint” being sly mob code for the blood of human targets). Thank God it was on Netflix and I didnt have to spend a dime on it. boring unispired redo of goodfellas, which to be frank is far superior. Joe Pesci as Russell Bufalino. the Robert De Niro we fell in love with well...he has departed for places unknown. For your consideration: Goodfellas 3: The Golden Years.). Nothing new here. Initially, I would rate it a 5 but on reflection, this was a complete waste of my time. He’s made his masterpieces. There are long movies and then there are unnecessarily long movies; this was the latter. It has no social importance or, more seriously, redemption. Totally boring and way too long. Even the scenes of violence and suspense are deliberately dispassionate, as if to confess that these things should not be spectacles. Going by that standard, The Irishman is nothing we haven’t seen from him before. He jokes about his prep for killings: “Sometimes with something like this, you might want to go to the bathroom first.” We understand all too well that this advice for bladder care applies to the movie, also. After the first 30 or 40 F bombs and MFers it gets a bit tiring. Wikipedia tells me that it’s never had a commercial release. At this point, Scorsese has nothing left to prove. He does an impersonation of himself as a young man but he is moving like old man. One thing that's common among all Scorsese movies is the dialogue. Their performances are solid, but just needed a better story. No way does this movie deserve a 94 weighted score. Maybe I’m just a Luddite and need to get with the times and embrace the possibility of a digitally resurrected James Dean. It goes without saying that his cinematic legacy is secure. DeNiro in blue contacts looks fake. The Irishman is a convoluted mess, no where near Scorsese's best work and nothing he hasn't done before. This film was so bad Hollywood didn’t even want it. It has no social importance or, more seriously, redemption. Scorsese already directed De Niro and DiCaprio in a 2015 short film entitled The Audition. This movie was a disappointment on a every level. If only the visual effects were the worst part of The Irishman, an overly long, overstuffed mafia film that has nothing to say and doesn't even seem to know what story it's telling. Simply do what they have been doing for decades, have someone else play the actors in their younger years. My review: The Irishman is part of a dead genre that no one cares about anymore. I was going to give 0 but ended up giving 1 because Al Pacino still looks like he is at least barely alive. OPINION: The Martin Scorsese-directed Netflix film is boring, ill-acted, poorly written and amateurishly directed. The Trailer was boring too but the full movie is even more boring. Although performances were good I couldn't find the characters that convincing, This is the worst film of 2019. This is the film that the characters from The Producers would've made if instead of Springtime for Hitler they decided to make a film. Retroactive fan-casting is the last refuge of the disappointed moviegoer. De Niro, if you’re not acquainted with the particulars of the plot, plays the titular Irishman, Frank Sheeran. The Irishman review – Scorsese’s sweeping tale of crime and politics Al Pacino (Jimmy Hoffa) and Robert De Niro (Frank Sheeran), centre, in The Irishman. It has way too much back and forth about getting Jimmy Hoffa to behave or he would get killed, and if you've seen Blow with Johnny Depp, then you've seen the ending to this film. The movie is full of cliche lines that are meant to seem deep, but fall very short. I have that same feeling about this movie that I had after watching any of the Star Wars 1,2,3 that Lucas went back and made. I’m taking for granted that the reader knows who Jimmy Hoffa is. Utter garbage. This was before someone had the bright idea that you could just make lifelike models of the servants and not have to bury people alive. The so-called talent phoned in their performances; these guys are all ready for retirement and it shows. A movie that is 210 minutes long, with actors WELL past their prime. I can see where an apologist for The Irishman might use this to prop up the argument that the film’s flaws are a feature, not a bug. Only made it 29 minutes in, couldn’t take any more. The CGI is incredible when making. Once great actors walk through their parts in a meandering tale with occasional gore and violence. Scorsese retourne à ses amours, à savoir la grande saga mafieuse dont il a le secret ou plutôt dont il avait le secret dans le temps, jadis... il a convié à cette réunion nostalgique les comparses d'antan comme Joe Pesci et Robert de Niro. Wow that was terrible...could not get through the first hour. Apologies in advance to the hard-working people at Industrial Light & Magic and all the rest of the cast and crew of The Irishman. This is the film that the characters from The Producers would've made if instead of Springtime for Hitler they decided. Simply put, this movie is not for me. I would probably have enjoyed it more if it was my first gangster movie but this just about rolls through every cliche there is. Denaro should spend less time on politics and more carefully considering the quality of the script. For example, if you search for The Irishman on Twitter, the first suggestion is "The Irishman boring". The CGI makes the actors look fake. My review: The Irishman is part of a dead genre that no one cares about anymore. I can well imagine the thrill of receiving a phone call at ILM from Scorsese, his voice pregnant with the deal-making words, “I heard you paint faces younger.”. Very Bland very boring very predictable. Robert De Niro is out defending The Irishman from claims that the movie is based on lies. The actors characters are ok but it’s all over the place and overrated. Really a movie for critics. It's like Scorsese is trying to bring back an updated godfather / Casino movie, but he was blind folded when trying to hit the mark. This movie was a disappointment on a every level. The movie seemed to have lost sight (or never had it) of what was the main story or character, and I felt myself struggling to figure that out every step of the way. The Irishman, the highly anticipated film from Martin Scorsese which reunites actors Joe Pesci. Ray Romano as Bill Bufalino. Most people will probably watch this movie on the small screen, and who knows, maybe it will be easier to surrender to the willing suspension of disbelief that way. Directed by Martin Scorsese. Joe Pesci and Robert De Niro in The Irishman | Netflix. Goodfellas is my all time favorite movie and I admire the team that put together the Irishman. It's as if Scorcese is trying to give a Morality Lesson after all the "glamourous" Mob films of the past. Martin Scorsese's exciting, epic-length new crime film, The Irishman, isn’t Goodfellas Light or Goodfellas 2, it is more an inverse Goodfellas. Initially, I would rate it a 5 but on reflection, this was a complete waste of my time. And story tellers. The plot leaves large gaps causing the audience to become confused, whereas the CGI on De Niro lands often in the uncanny valley. I found it to be a major stumbling block to my enjoyment of the film (which I wanted to like, believe it or not). I held out a long time before watching it, wife wanted to see it badly and insisted on seeing it all in one sitting, so took a while to find the time. I really don't know how this is a must-see film. The plot was meandering and directionless, the writing stale and regurgitated. This film is a perfect example of what happens when the greats work past their prime. Scorsese’s attempt at a musical was disastrous. Time for some tough love. The CGI anti aging was hard to watch for 3+ damn hours. Continue reading to … I turned to her, stopped the movie and said "This is sooo. After the first 30 or 40 F bombs and MFers it gets a bit tiring. The CGI is incredible when making Robert De Niro more youthful, yet completely lazy and half-assed with simple things like glass breaking, or someone getting shot; there were scenes in which I couldn't tell whether I was watching Scorsese or Sharknado.Practical effects would have not only been cheaper to produce, but better looking. The 1st act is good, but then Al Pacino chews the scenery and the film gets boring and bogged down in a political drama. A film of masterly hushed precision, it digs deep into … Web design by Pro Blog Design. Martin Scorsese’s The Irishman, starring Al Pacino, Robert De Niro, Joe Pesci, and Harvey Keitel — is the director’s most satisfying film in decades. This film is a perfect example of what happens when the greats work past their prime. Pesci was understated and magnificent, while DeNiro and Pacino seemed miscast and cartoonish. Its the 21st Century and here Deniro romanticizes life as a loudmouth, racist, bully CGI old man who uses Catholicism as a predictable prop. It's too long, too much CGI, utterly nothing happens but they sprinkle in people getting shot in the face here and there for intensity. A huge (and lengthy) swing and a miss from Scorsese, De Niro, and Netflix. Their performances are solid, but just needed a better story. the Robert De Niro we fell in love with well...he has departed for places unknown. A real, flesh-and-blood actor like him, instead of a video game approximation of De Niro in a World War II helmet, would have been such a simple, graceful solution. Why it is impossible to find new young actors, but not these old men? Not engaging enough to get excited about. Tried to watch a full hour and yawned more times than i did in a whole year. When I say that, it’s with full acknowledgment that I’m a little blogging ant whose accomplishments in life pale in comparison to Scorsese’s. They feed directly into its theme, you see. Hopefully he gets back on track with that new Decaprio feature he is prepping to shoot. I'm trying to find something good about this movie but can't. This is the worst film of 2019. This was a horrible movie. In Gangs of New York, Scorsese used Bill “The Butcher” Cutting, played by Daniel Day-Lewis, as a mouthpiece for a line from the Book of Revelation: “I know your works. It really sucks, This film followed the same script as any other mob movie by Scorecese: "look how bad, violent, and petty these guys are". To me, the digital makeup looked more like digital Botox. Simply do what they have been doing for decades, have someone else play the actors in their younger. Slow hard to follow, drawn out. The compartments in this box of bitter pills are full, lined up in a row for the viewer to swallow like Sheeran’s daily doses of medicine. Retro is cool as retro. Find some better stories. I've loved Scorsese movies for decades. It's like an olg people's home from hollywood. I would probably have enjoyed it more if it was my first gangster movie but this just about rolls through every cliche there is. only netflix could do such a trash job at making movies. There are no women, no blacks, no other ethnicities My review: The Irishman is part of a dead genre that no one cares about anymore. This movie is unbelievably long and dull. A Who's Who of old Mafia actors; DeNiro an adenoidal caracature of himself.. repeating his lines, repeating his lines.. The Irishman sees Martin Scorsese, our greatest living filmmaker — the Ramses II of cinema — nesting below his pyramid, snug in his bed of mob movie hits. My dad and “Jimmie” went to work for very German and very non-Jewish, non-Irish and non-Italian Josef at around age 12. “The Irishman” presents mob life as a far more solemnly unromantic and toll-taking experience. /Featured Stories Sidebar, Features, Netflix, Unpopular Opinion, Martin-Scorsese, Robert-De-Niro, The Irishman, The Quarantine Stream: ‘Thief’ is Michael Mann’s Stylish Feature Directorial Debut, Spoiler Discussion: WandaVision Episodes 1 & 2, ‘Locked Down’ Director Doug Liman on Shooting a Movie About the Pandemic During the Pandemic [Interview], ‘The Bourne Identity’ Director Doug Liman Still Doesn’t Know How to Feel About Bond Copying Bourne, ‘Cobra Kai’ Creators Reveal Which Characters Can Return to the Show and What to Expect from Season 4 [Interview], The First Two Episodes of ‘WandaVision’ Take Us Into the Weirdest Corner of the Marvel Cinematic Universe, Copyright © 2005-2019 /Film. Goodfellas is my all time favorite movie and I admire the team that put together the Irishman. Nicely FILMED, though.. The most scandalous film, barely watched, the feeling that I spent three hours in the house of the elderly, not because of the age of the heroes, but because of the burdensome plot. So let’s go with the idea of Leo-led flashbacks, for posterity. Not to mention the extremely terrible CGI from netflix. Deniro used to be a great actor but now he is a prost!tute making films that contradict everything he says he hates about Trump. And it's even surprisingly, frequently touching and funny. The Irishman uses this very mortal limitation to its artistic advantage. I shut it off. It is a movie about white men killing white men. Affiliate links used when available. Since most people outside Asia haven’t seen it and the novelty factor’s still there, imagine how brain-melting it would have been to see DiCaprio join the cast of The Irishman, in addition to all these other legendary performers. © 2021 METACRITIC, A RED VENTURES COMPANY. It's sharp, engaging, and crackling with conflict.
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